Edupunk is (or might be)
– a DIY movement that "favors technical accessibility over grand design" (Caufield)
– "instructional use of blogs, wikis, various mashups, and podcasting among many other uses of emerging technologies" (Wikipedia)
– the "rejection of efforts by government and corporate interests in using emerging technologies to exercise control over education" (Wikipedia)
– the tendency of influential educational companies like Blackboard to co-opt and repackage Web 2.0 apps and offering them as their own
– "student-centered, resourceful, teacher or community-created rather than corporate-sourced, and underwritten by a progressive political stance" (Stephen Downes)
There’s some good here. The use of social media in classrooms and the emphasis on production are certainly actions I can get behind. But something about this Edupunk idea seems off to me. Here’s my attempt to work it out.
First off I’ve got to tackle the title itself. Not only because words matter, but because if you wanted to demonstrate words’ tendency to be historically, culturally, and socially situated with a resulting multiplicity of interpretations . . . well, you could do a lot worse than choosing the word "punk." Suffice to say that someone’s reading of that word always ends up saying a hell of a lot more about them than it does any firm defining of what punk is or was. The word choice is sure to inflame passions and opinions precisely because its such a slippery signifier (and if you chart the conversations so far, this is exactly what has happened). If Groom thought this out, I’m sure that’s the main reason he choose to go there. The word choice almost ensures conversation and debate and for that I could never fault it. But there’s no doubt the word brings baggage and divisiveness. If the choice is intended to do more than spark emotion, I have to wonder what benefits the label brings.
Without seeking to define too many specific qualities, I feel safe saying that punk was a subcultural movement born out of a specific historical and social context. Like any movement it’s a mistake to think that punks built anything totally new from scratch. In other words, they took the materiality and philosophies of so-called "straight" culture and reappropriated them into new meanings (for example: punk reconfigured such symbols as metal combs, motor scooters, the Union Jack, the safety pin, etc.). On the semiotic level of remixing culture into new meanings and possibilities, I quite like the notion of a "punk" style to education. I just doubt that this is the main sense in which the word is being used (and punks were far from the first group to do this, so again, why them?).
As Dick Hebdige suggested in his seminal "Subculture: The Meaning of Style," the straight culture always responds back– sending the subculture through a cycle of trivialization, naturalization, and ultimate domestication. Those "original" punks that lament the rise of the "Hot Topic" punk fail to realize that all subcultures go through this cycle. If the subculture had any real legs, it’s already sowed seeds and morphed into something else by the time the so-called "masses" and future generations come along and try to catch up. Perhaps most importantly, I would agree with Hebdige that this process is not something to lament; if for no other reason, it simply is going to happen. Corporations may be showing increasing interest in Web 2.0 technology– and they may often approach them in ways that longtime or early adopters view as off or bastardized– but their doing so is ultimately part of a social cycle that is necessary for the original ideas to grow or progress.
The subculture always comes with an air of elitism, a certain distrust of popularity, and a very modern fear of the masses (or shall I say, of the construction of something called the masses). And this is not critique, for I think subcultures are important and these qualities act as a certain social glue that produces identity and belonging amongst the subculture’s members. But these are also part of the reason subcultures like punk are always doomed to eventually scatter. Even if the values and beliefs of punk had been adopted by large numbers of people (this assumes that even the original members could agree on what those values and beliefs were) in a manner that the original members did not view as co-opting or impure, the punk movement still would have fallen apart. The subculture occupies a very strange place. It is full of people claiming to have a better way, a better method, a better philosophy– but only a select few are capable of interpreting or embodying it properly. The subcultural movement is a special kind of movement that advocates social change without actually wanting it to happen on any grand scale.
All this for me to suggest that "Edupunk" is a curiously backwards looking term for a supposed movement that supposedly seeks to look forward. As many of the Edupunk critiques have already pointed out: there really isn’t anything new in its philosophy or pedagogy so far. Again, not a problem– nothing can make a claim to complete newness. But since there is nothing new here, I think it’s safe to suggest that the labeling is perhaps the only relevant feature (and therefore I don’t think I’m simply linguistically knit-picking). The term chooses to not only align itself with the idea of subculture, but with the most idealistic notion of subculture– an ideal that posits an us against them mentality at odds with the dialectic relationship between the perceived opposing forces. Is this a mindset we want to bring to education?

2 comments:
This is probably the best opposing viewpoint I've seen, very well argued, very thoughtful. And it brings a lot to the table.
But is it possible while looking at the cycle of movements you're not seeing the larger picture? Meaning that you rightly point out that by the time subcultures meet success, the subculture breaks up. Hot Topic punk *always* happens, but as it does the subculture often moves in new directions. Punk very quickly gave us post-punk, No Wave, and a dozen other critiques of punk.
And isn't that what is happening here with Web 2.0? It has met with success, but in the process it's been reduced to a bit of a product, and a lot of things, some would say the really crucial things, are missing from what many people are presenting as Web 2.0.
So if you are Bob Mould, Thurston Moore, Frank Black, or Dino Jr. you move on. Dino Jr. reunited punk with classic rock and teenage neurosis. The Pixies brought us loudsoftloud, and later, a baroque sensibility of variation to song structure. Thurston Moore detuned his guitar and reconnected American punk with some of its art scene roots.
And that happened as surely as punk critiqued prog rock.
I'm saying this because it is implicit in your analysis, but I don't see it surfaced. The reason this term has taken off is people are desperate to inscribe a space for dicussing these issues *outside* of the Web 2.0 universe, because the Hot Topic Web 2.0 has arrived, and it misses the point.
So yes, it will always miss the point -- if edupunk truly took off you would see the Blackboard Edupunk Building Block next year, and we'd all have to find a new term.
But the thing this fury this has ignited has shown me is that there is a cultural need to have a space for discussion of these issues that can occur outside of the increasingly product focussed Web 2.0 space. If edupunk gets that done, I'm onboard.
Does that make sense? I'm pre-2nd-coffee, I might have garbled it a bit....
Thanks for the reply, Mike, although I’m not sure I’m entirely comfortable being seen as an opposing view. It probably doesn’t come through in the post how sympathetic I am to the objections raised by Edupunk and how desperately I want my own field of Rhetoric and Composition to focus more on production and making stuff over endless critique and analysis. And you’re right, it is implicit in my argument that “Hot Topic Web 2.0" is here and might be missing the point and that people are thirsty for a space to discuss this. But it’s precisely for this reason that I think adding “-punk” into the term coinage is a problem. If we have (as I think we’re both suggesting) reached the Hop Topic phase, then it is time for educators to regroup and move forward with repurposed radical ideas and propositions. To do so under a label of “punk” is backwards looking precisely because we’re now at the point where these practices are not punk. To keep our metaphor going– it feels like Edupunk is trying to be the Sex Pistols or the Voidoids when it’s time to be the Psychedelic Furs or Siouxsie and the Banshees. Two bands (since I’ve gone this far) that managed to find a space and identity within an increasingly commercial music scene as opposed to an seperatist (yet seductive) screw ‘em all attitude.
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